titzfitzpatrick

"oh my god, you’re seriously going to pay college kids $15 an hour to flip burgers? get a real job!"

scenicroutes:

a real job? you mean, like, an internship at the white house?

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okay, well what about the national democratic party?

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what about interning at the united nations?

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wow damn it’s almost like our economy functions on stealing labour from hardworking young people, regardless of whether their jobs are “real” or not

krissyriniroo

chinburd:

blackrabbitsculpture:

Detail shots of my “Welcome to Inlé” sculpture, completed early July, 2014.

I realize I mentioned writing more about the piece when I posted these, but now I can’t for the life of me remember what it was I wanted to say.

Watership Down was one of the first novels I read as a child, probably at 10 or 12. I saw the animated film soon after, and it’s clear to me that both the book and the movie made an indelible impression on me. I reread the book every two or three years, and it hasn’t lost any of its power or impact. Most of all, I’m enthralled by the rich stories the rabbits share with one another throughout the novel. My love for mythology was certainly encouraged by reading WSD as a child.

Thanks for the wonderful response to this piece so far, you amazing folks!

Materials and dimensions and all that other good stuff can be found on the turnaround photoset that’s posted on my Tumblr, right below this post.

chills

blackrabbitsculpture

blackrabbitsculpture:

As promised, here’s the turnaround photoset for my “Welcome to Inlé” sculpture. I’ll post some detail shots in a bit.

This project actually started way back in 2006 or so when I decided I wanted to sculpt my interpretation of the Black Rabbit of Inlé from Richard Adams’ Watership Down. I was still pretty new to sculpting, but ended up making something I was really happy with and that marked a pretty big turning point for me, both in terms of style and subject. Last summer, a couple purchased the original piece (you can find photos of it posted here on my tumblr, quite a few pages back), and paid me to create a more detailed base for the piece, and gave me free rein, creatively speaking, to do so.

The project ended up taking me about nine months to complete, and the finished piece is definitely something that was a blast to work on, but also was a big challenge. I’m pleased with how it turned out, and though I miss it now that it’s in its new home, I’m glad to have it off my plate.

It definitely won’t be the last time I explore Inlé, or the Black Rabbit himself, through sculpture, though, you can count on that. :D

Super Sculpey original/firm blend and apoxie Clay over a wire, foil, wire mesh, and wood armature, painted with cel-vinyl, mounted on a poplar board. Roughly. 25”x11”x18”

I’ll write more about the piece when I post the detail shots, which will have to be some time tomorrow, cuz I’m too sleepy to type properly now.

norkia

as-warm-as-choco:

The Samurai Champloo (サムライチャンプルー) cosplayers that stole my heart… Thank you SO much for bringing back so many memories. T_T The anachronisms, the animation, the music, the historical knowledge that it made me search for. I fell in love with Edo Period, japanese mythology and (ukiyo-e) painting. I fell in love with the director (Shinichiro Watanabe) and THEN with Cowboy Bebop. Masaru Gotsubo’s manga. SO much jazz knowledge from Nujabes’ samples. Thank you, Jun. どうもありがとうございます!Mystline still makes me cry. I fell so much in love it took me 9 months to write a tribute song over The Final View. It took a poem’s time, and hopefully it has the beauty of one… And the dopeness of yours. T_T Hope you and Dilla will listen to it next February 7. There hasn’t been a greek tribute (that sounded ancient) so it will be my honor. R.I.P. Samurai who smells of Sunflowers.

MUGEN (ムゲン,2)  Kyōno (恭乃)
JIN
 (ジン Sakadzuki (サカヅキ)
FUU KASUMI
 (フウ Akane (朱音)

PHOTO BY CHOKORO (ちょころ)